‘He saw signs saying No Blacks – but he never got bitter’: Sterling Betancourt, the man who brought steelpan music to the UK. After moving to the UK in the 1950s, the Trinidadian musician endured racism and had to build his own instruments from waste – but never lost his light.
A apuração publicada por www.theguardian.com vira base para uma leitura editorial direta e contextualizada.
Trechos de apoio da pauta: After moving to the UK in the 1950s, the Trinidadian musician endured racism and had to build his own instruments from waste – but never lost his light. After his death last month aged 96, his widow recalls his patience and positivityWearing rusty steelpans hewn from oil drums around their necks, Sterling Betancourt and his 10 bandmates faced a sceptical crowd as they stood outside the recently opened Royal Festival Hall in London in 1951.
- Ponto de atenção: signs.
- Ponto de atenção: saying.
- Ponto de atenção: blacks.
Em resumo, a leitura editorial acompanha o impacto do tema no nicho Entretenimento.
