Jack White: Frozen Charlotte review – brutal, squalid blues-rock that just about sells its

Jack White: Frozen Charlotte review – brutal, squalid blues-rock that just about sells its own ridiculousness. (Third Man)Following the superb No Name, White continues his fan service with stripped back songs and nasty, anarchic riffs – though it all ends up feeling a little sameyIt’s a strange thing to say about one of the most prolific artists of his – or any – generation, but: Jack White has been undergoing something of a career renaissance of late.

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Trechos de apoio da pauta: (Third Man)Following the superb No Name, White continues his fan service with stripped back songs and nasty, anarchic riffs – though it all ends up feeling a little sameyIt’s a strange thing to say about one of the most prolific artists of his – or any – generation, but: Jack White has been undergoing something of a career renaissance of late. After firmly establishing himself as one of the most beloved and defining figures of 21st-century rock with his early-00s blues duo the White Stripes, White seemed to get bigger and bigger over the next decade-plus, releasing albums with well-liked side projects the Raconteurs and the Dead Weather, dropping a couple of fine solo albums, and helping spark the music industry’s vinyl revival with his label and pressing plant Third Man Records.But, at some point in the mid-2010s – around the release of his third solo album, 2018’s Boarding House Reach, let’s say – White’s influence and celebrity seemed to be outweighing his actual output, with rising pop stars like Billie Eilish and Olivia Rodrigo naming him a prime influence.

• Ponto de atenção: jack.
• Ponto de atenção: white.
• Ponto de atenção: frozen.

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