Jesus Christ Superstar review – Sam Ryder raises the roof in rock opera turned up to 11. London PalladiumThe Eurovision star leads a glittery production of Andrew Lloyd Webber and Tim Rice’s blockbuster but this booming show lacks context and clarityThis amped-up version of Andrew Lloyd Webber and Tim Rice’s rock opera is presented by the same triumvirate who near enough blew the critics – and crowds – to heaven with their 2016 revival.
A apuração publicada por www.theguardian.com vira base para uma leitura editorial direta e contextualizada.
Trechos de apoio da pauta: London PalladiumThe Eurovision star leads a glittery production of Andrew Lloyd Webber and Tim Rice’s blockbuster but this booming show lacks context and clarityThis amped-up version of Andrew Lloyd Webber and Tim Rice’s rock opera is presented by the same triumvirate who near enough blew the critics – and crowds – to heaven with their 2016 revival. Tim Sheader is again director, designer Tom Scutt’s set has a similar scaffold structure (but with some audience members standing around it this time) and Drew McOnie is once more the choreographer.The production, in spirit, goes back not just to the first century when Jesus of Nazareth rises to become an inspiring preacher, radical tearaway and thorn in the side of the temple clerics, but also to the 1970s era of hippy-dom and flower power from which the original show arose.
- Ponto de atenção: jesus.
- Ponto de atenção: christ.
- Ponto de atenção: superstar.
Em resumo, a leitura editorial acompanha o impacto do tema no nicho Entretenimento.
