The Day She Returns review – another Hong Sang-soo round of slow, reflective boozing really hits the spot. No film-maker shows more day-drinking than Hong, and this study of an actor returning from a career break is the same again – as mysteriously addictive as everIt will not surprise fans of the prolific lo-fi Korean master Hong Sang-soo that his new film in black-and-white – which might be described as “experimental” by those who don’t quite realise that they all look like this – features long scenes, shot from a single, static camera position, featuring a conversation in a restaurant.
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Trechos de apoio da pauta: No film-maker shows more day-drinking than Hong, and this study of an actor returning from a career break is the same again – as mysteriously addictive as everIt will not surprise fans of the prolific lo-fi Korean master Hong Sang-soo that his new film in black-and-white – which might be described as “experimental” by those who don’t quite realise that they all look like this – features long scenes, shot from a single, static camera position, featuring a conversation in a restaurant. Nor will they be surprised that one of these scenes contains a sudden, unobtrusive zoom-in to a closer position, for no obvious reason.It will not be startling for them that the film features someone playing a female screen star of a certain age philosophically pondering her career and life-choices (a key Hong trope).
- Ponto de atenção: returns.
- Ponto de atenção: review.
- Ponto de atenção: another.
Em resumo, a leitura editorial acompanha o impacto do tema no nicho Entretenimento.
