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The music in Nolan’s Odyssey is as well-crafted – and bloodlessly unmemorable – as the mov

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The music in Nolan’s Odyssey is as well-crafted – and bloodlessly unmemorable – as the mov

The music in Nolan’s Odyssey is as well-crafted – and bloodlessly unmemorable – as the movie itself. Ludwig Göransson’s meticulous score uses instruments of the era to create an earthy, raw and bleak soundscape, but it merely supports the portrayal of an uncomplicated heroA few weeks ago I came across a video of Professor Armand D’Angour, associate professor of classics at Oxford university.

A apuração publicada por www.theguardian.com vira base para uma leitura editorial direta e contextualizada.

Trechos de apoio da pauta: Ludwig Göransson’s meticulous score uses instruments of the era to create an earthy, raw and bleak soundscape, but it merely supports the portrayal of an uncomplicated heroA few weeks ago I came across a video of Professor Armand D’Angour, associate professor of classics at Oxford university. He explained how, through groundbreaking research involving fragments of melody and rhythms found on papyrus and stone and the reconstruction of ancient instruments, it is now possible to hear for the first time in 2,000 years what ancient Greek music would have sounded like.Given Ludwig Göransson’s beautiful theme for the aulos (an ancient double-barrelled flute) in Christopher Nolan’s latest blockbuster, The Odyssey, and his reputation for dedicated research into his subject matter, it seems very likely that he too has heard these calls from the ancient past.

  • Ponto de atenção: music.
  • Ponto de atenção: nolan.
  • Ponto de atenção: odyssey.

Em resumo, a leitura editorial acompanha o impacto do tema no nicho Entretenimento.

Artigo originalmente publicado em www.theguardian.com
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