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Irã nega inspeção nuclear da AIEA e anuncia ‘linha telefônica direta’ sobre Ormuz
Irã nega inspeção nuclear da AIEA e anuncia ‘linha telefônica direta’ sobre Ormuz
Apesar de negar a visita da AIEA, Teerã confirmou a criação de canais de contato com os EUA para a segurança marítima no estreito The post Irã nega inspeção nuclear da AIEA e anuncia ‘linha telefônica direta’ sobre Ormuz appeared first on InfoMoney.
Datafolha: 36% acreditam que economia brasileira vai melhorar nos próximos meses
Datafolha: 36% acreditam que economia brasileira vai melhorar nos próximos meses
Parcela que espera melhora nos próximos meses subiu de 30% para 36% The post Datafolha: 36% acreditam que economia brasileira vai melhorar nos próximos meses appeared first on InfoMoney.
Foto: Polina Tankilevitch / Pexels
Schweinsteiger's Ivory Coast comments spark racism debate
Bastian Schweinsteiger's TV analysis of Germany's World Cup opponents Ivory Coast appeared to draw on racist stereotypes. For some observers, the comments are evidence that racist tropes are still common in football.
Germany: At least 6 killed in shooting in Stade
Germany: At least 6 killed in shooting in Stade
Several people are reported dead following gunfire in the northern German city of Stade. Authorities arrested two suspects and said the shooting appeared to be an "extended family tragedy."
Foto: Nextvoyage / Pexels
2 arrested after apparent Empire State Building proposal
Two people were arrested in Manhattan on Wednesday after conducting what appeared to be a daredevil marriage proposal at the very top of the iconic skyscraper.
Foto: Andrea Piacquadio / Pexels
Sam Neill, Jurassic Park actor, dies 'unexpectedly' at 78
New Zealand actor Sam Neill achieved international fame playing Dr. Alan Grant in the 1993 film Jurassic Park. But his career included many other notable TV and film appearances.
Muse: The Wow! Signal review | Alexis Petridis's album of the week
(Warner)From Count Dracula organ to choirs crying in Latin, the Devon band are scenery-chewingly preposterous​ yet nuanced on this epic about extraterrestrial lifeBarely three minutes of Muse’s 10th album has elapsed before a choir make an appearance: a choir that isn’t singing s
Foto: RDNE Stock project / Pexels
Add to playlist: the high-camp Irish trad of SexyTadhg and the week’s best new tracks
The Irish fiddler brings pop exuberance to traditional songs that range from disco to haunting a cappella with a fearless sense of genre fluidityFrom Carlow, IrelandRecommended if you like The Mary Wallopers, Chappell Roan, AnohniUp next SlutTrad EP out now, UK and Ireland tour s
Three sons of Iran’s slain leader Khamenei appear at funeral, not his successor
Three sons of Iran’s slain leader Khamenei appear at funeral, not his successor
A pauta traz uma atualização relevante e serve como base para a cobertura editorial. O recorte ajuda a contextualizar a pauta dentro de Economia.
Foto: Sharath G. / Pexels
La Cabina/El Televisor review – horror and anxiety on the air and down the line in Franco’
José Luis López Vázquez’s phone box nightmare is short and sharp but Narciso Ibáñez Serrador’s TV fever dream overplays its handTwo macabre Spanish TV plays from the 1970s are being released as a double bill: Antonio Mercero’s La Cabina (★★★★★) is a cult 1972 surreal short film l
Minions & Monsters review – a smart premise descends into more of the same
Minions & Monsters review – a smart premise descends into more of the same
The hugely successful, gibberish-heavy franchise travels back to old Hollywood for an adventure that swaps out nifty ideas for repetitive chaosThe yellow, cylindrical, overall-clad creatures known as the Minions first appeared as loyal henchmen to Steve Carell’s villainous Gru in
Shoot the People review – a powerful portrait of a talented yet controversial photographer
Shoot the People review – a powerful portrait of a talented yet controversial photographer
Misan Harriman was catapulted into a new career after turning his camera to anti-racist demonstrations – though the shadow of more recent criticism loomsThis is a documentary portrait of the celebrated British-Nigerian photographer, film-maker and activist Misan Harriman, who has