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Musical take on The Boy Who Harnessed the Wind is moving and charming

A TED talk and then a film, William Kamkwamba’s story of how he worked to provide his rural Malawian village with electricity has now been turned into a musical – and it mostly works, says Bethan Ackerley

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‘My mum says I’m not working class any more!’: Olivia Cooke on power, privilege, and divid

The actor has a knack for playing characters that test viewers’ loyalties. As the Game of Thrones prequel returns, she talks problem fans, ‘boy mums’ and why the arts should be for everyoneHouse of the Dragon is a massive television series. Over two seasons, the prequel to Game o

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‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury

It took a long time for the actor to find her groove – then the smash TV spy thriller changed everything. She talks about getting advice from A-listers, speaking her mind, and why she’s switching to theatreSandra Oh bursts into a back room at the National Theatre in London with w

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‘Our characters like to be naughty’: the makers of the Nirvanna mockumentary on illegal sk

Matt Johnson and Jay McCarrol’s (non-Cobain affiliated) movie feels like Jackass via Back to the Future. They talk about how the supreme silliness was stressful to film, and how times have changed since their ‘tasteless’ 2007 web seriesIf there is ever a Rock & Roll Hall of Fame

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‘Have more joy! Believe in yourself!’ Legally Blonde is back – as a life-affirming TV preq

Reese Witherspoon’s 00s movie is a beloved cult classic – and now she’s using a spinoff to battle these dark times. The creators of Elle talk miniskirts, car phones and why people need to take teenage girls more seriouslyIf there’s a young adult romance on TV, we millennial women

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I was a whinger, a cynic, a misanthrope. Then I saw Harry Styles live – and I will never b

I knew my 11-year-old son would love an evening at Wembley with his favourite star. But nothing prepared me for what it would mean to meThe answers to some little questions are hugely revealing. We pass it off as small talk, but asking about somebody’s first anything often reveal

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‘I thought of her as a volcano’: the triumphant art and very troubling death of Ana Mendie

Her shocking performances and stunning images made Mendieta the talk of the art world in the 1970s and 80s. Then she fell from a New York apartment block in 1985 – and her husband was charged with murder. As a major exhibition comes to London, her friends discuss her genius and t

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‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex co

Their movie about marital bed death is this summer’s buzziest, funniest film. Its director and her co-star talk self-loathing, psychosexuality and unexpected eruptionsEarlier this week, Edward Norton took a night flight from New York to London and felt so dreadful the next day he

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Breaking hearts and blowing minds: Robyn’s 20 greatest songs – ranked!

As she tours the UK, we pick the best of an artist who defined the ‘sad banger’ – but also radiates joy and strength from her perfect pop songsRobyn has written and recorded more striking and melodically rich songs than this, but the opening track of Body Talk Part 1 might be thi

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‘The song got us signed but I hated it’: how Haircut 100 made Fantastic Day

‘In the early days, we hopped on every bandwagon going – punk, ska, mod, everything. Fantastic Day was always there, just in different styles. The original was more Talking Heads. I preferred that’If I’d been sitting down when I wrote Fantastic Day, it would have been a different

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‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, un

The formidable actor talks about the challenge of finding meaty characters, tough times in the US – and co-starring with her dad’s hero Kenneth Branagh in The Cherry OrchardIt’s lunchtime in Stratford-upon-Avon and Helen Hunt has 30 minutes to spare. She’s preparing for her Royal

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‘I was a self-centred, entitled little horror ... arguably I still am’: cult psych rocker

Armed with a new album inspired by ‘dead English blokes’, the revered musician discusses writing nasty songs about his neighbours and how he’s finally made it in Nashville aged 73‘I owe a lot to a dead man’s cock.” So begins the first song, a propulsive piece of Lennonesque power

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